Todd Harrop's music has been played in Canada, the U.S.A., New Zealand, Italy and Germany. He studied at Wilfrid Laurier University with Gary Kulesha and Peter Hatch, the Royal Conservatory of Music with Sam Dolin, and the University of Victoria with John Celona.
Artists who have premiered his music include the Penderecki String Quartet, the University of Western Ontario Percussion Ensemble, Jessica Catron & Johnny Chang, Bass Impact, Digital Prowess, tranSpectra and the Canadian Chamber Ensemble.
He has participated in workshops with Arraymusic, Alain Trudel, Joseph Macerollo, Beverley Johnston, the Composers' Orchestra, Festival of the Sound, Domaine Forget and the Nouvel Ensemble Moderne.
Stylistic traits include monochromaticism, polymodality, sound poetry, microtonality and aleatoric counterpoint.
He is also a percussionist and actor. While serving as principal timpanist of the Thunder Bay Symphony Orchestra he played drums with the Danny Johnson Jazz Trio and taught percussion at Lakehead University. He has premiered works for New Music in New Places, accompanied classes for many years with Dancetheatre David Earle and he has performed regularly with the Open Ears Festival of Music and Sound.
Acting engagements have been at The Grand Theatre, Theatre & Company, Theatre Athena and the Montreal Fringe Festival.
For CBC Radio he created an experimental documentary about the soundscape of contemporary agriculture. He has also volunteered as sound designer for numerous amateur theatre productions and collaborated with modern dance choreographers Denise Lieutaghi, Annette Urbschat and Yvonne Ng.
Harrop and Urbschat were commissioned to create an interdisciplinary work featuring a rusted-out 1963 Plymouth Valiant Slant-6 for the outdoor, site-specific promenade opera Harbingers of Spring, as part of the 2009 Open Ears Festival.
Harrop is also a member of tranSpectra, a pioneering, acoustic ensemble dedicated to commissioning and performing Canadian music in Bohlen-Pierce tuning. (The B.P. scale has 13 equal divisions of the perfect twelfth.) His associated work, Calypso, has been performed at the Open Ears Festival, the University of Guelph and the first International Bohlen-Pierce Symposium. During this conference, hosted by the Boston Microtonal Society in 2010, he presented a lecture on sensory dissonance of B.P. clarinets at the Goethe Institut.